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Rug Man

為了解決Rug carpet的問題，作者 這樣論述：

Frank＂Ace＂ Renzetti has been installing carpet for almost forty years, working theupscale neighborhoods of Philadelphia’s Main Line. At a time when he should beconsidering retirement, Frank takes on one of the biggest--and strangest--jobs ofhis career. The house is owned by a volatile and eccentric

divorcee, therenovation guided by her wabi-obsessed interior decorator. Itsas-yet un-air-conditioned rooms teem with weary contractors, many of whom havebeen on the job for months; a pampered dog regularly sabotages everyone’s work;and the general contractor patrols the site as if it’s the border. A

mid thisweek-long circus, Frank’s body starts to fail him, and when he loses both hishelpers to a drug bust, he is left to complete the job by himself on one goodleg. Desperate, he poaches a day-laborer from his competitor and finds that the young, paperless El Salvadoran has a way with carpet andju

st might be the future of the trade--unlike Frank’s own emotionally-estrangedson, Paul, a financial consultant whose professional life looks nothing likehis father’s. As the physical challenges of the job mount, the fate of Frank’sbusiness, and, with that, the fate of his blue-collar genius, becomei

ncreasingly uncertain. Wry, insightful, and full of down-to-earth, bodilytruth and humor, Rug Man is a tribute to a bygone era of craftsmen whosework was the source of their greatest suffering but also their greatest pride. DavidAmadio teaches Creative Writing and Composition at Lincoln Universit

y, America’s first degree-granting HBCU. His workhas appeared in Cleaver, Packingtown Review, Adaptation, TalkingRiver, Nerve Cowboy, and the San Francisco Examiner. He belongs to a three-man comedy troupe called the Minor Prophets which has written, directed, and produced over 30 short films, many

of which have screened at national and international film festivals and earned multiple prizes and awards. He livesin suburban Philadelphia with his wife and two children. Rug Man is his first novel.

Rug carpet進入發燒排行的影片

新冠病毒與新冠皇室：劇本《天賦皇權》比喻與表現之脈絡分析

為了解決Rug carpet的問題，作者那琪 這樣論述：

On 19 September 2020, “Crowned by God”, a performance centered on the COVID-19 metaphor as the Thai monarchy, took place in a transnational protest in Ximen, Taiwan, as a show of solidarity with Thai pro-democracy movements. Sharing a similar title of “corona” or “crown”, the metaphor seeks to deco

nstruct the Thai royal supremacy in comparison with power abuse in the name of the pandemic. This study tackles the metaphor concept, which is the similarities between the coronavirus and the Thai royalty. At the same time, this study will analyze the impact of the metaphor as a protest communicatio

n tool. This study is a practice-based research in which knowledge is acquired during and after the metaphor composition, with my perspective as an artist activist in the movement. I argue that the pandemic metaphor as Thai monarchy can be a protest narrative for Thai monarchy reform in the transnat

ional pro-democracy movements.

Persian Rugs and Carpets: The Fabric of Life

為了解決Rug carpet的問題，作者Sakhai, Essie/ Bennett, Ian (EDT) 這樣論述：

- A new edition that includes a chapter of brand new material- Includes Persian carpets and rugs from the 19th century to the end of the 20th century- Written by Essie Sakhai, one of the best-known dealers of oriental carpets in London; the author's family has been in the business for over 200 years

- Edited by Ian Bennett, a recognized authority on the subjectA new edition of Persian Rugs and Carpets: The Fabric of Life - the 'Bible' on this subject. This book presents a pictorial journey around Persia, reflecting the weaving and pattern styles of the many regions and tribes - including Esfaha

n, Kashan, Nain, Qum, Kerman, Tabriz, Bakhtiari, Senneh, Malayer and Qashqa'i - showing the vast range of carpets woven in Persia from about 1850 to the third quarter of the 20th century. The introductory text to each section explains the particular aspects of that region's weaving style. In additio

n, each caption gives an in-depth account of the carpet, not only the date and region in which it was woven, but also the motifs and patterns, the technique used, even the weaver, and, in the case of pictorial carpets, the fascinating stories being depicted. The introductory essay takes the reader t

hrough the history and geography of the Persian rug, including information on structure, weaving and knotting, the different output of the city and urban workshops compared to tribal and village weaving, flatweaves, and identification. It also features points of note for the collector, such as conse

rvation and cleaning, as well as highlighting the difficulties in dating rugs, and the problems with fakes. Lavishly illustrated in color throughout, Persian Rugs and Carpets: The Fabric of Life shows these carpets at their very best, with incredible clarity of detail, bringing together in one place

the diversity of weaving styles and the great variety of patterns, allowing the reader to compare carpets at a glance. This exquisite book - an essential addition to the bookshelves of all carpet collectors and aficionados - is a testament to the rich and vibrant art form of Persian carpets.

高速剪線機構應用於CNC簇絨式地毯機之研究

為了解決Rug carpet的問題，作者吳振嘉 這樣論述：

一般對紡織產業的理解可知，客製化製造和大量式生產之間的不同，將會大大地影響兩個重要經濟行為，即產品的製造方式技術和產品的成本控制。如果圖案樣式為客製化產品，則簇絨地毯可以成為喜歡的收藏品。目前的作法是使用簇絨槍搭配手工設計圖案，無法大量生產，且圖案品質不一致；大量生產地毯的機器則缺少圖案多元性，難以提升地毯價值，製造公司必須面對以上兩個問題，即如何以可接受的成本生產產品。隨著在地毯和踏墊等各種產品中對複雜圖形的需求不斷增長，本研究探索有效的解決方案，以客製化提升產品價值，以自動化提高生產效率，尤其是減少材料浪費為主要目標，大幅降低製造成本。本研究設定了兩個生產簇絨地毯主要達成目標，一為任意圖

案之客製化，另一為生產效率不低於現有的簇絨製造產能。地毯客製化的實現在於圖案的接受程度，本研究有非常強的解析能力，除了較單純的卡通圖案可即時處理，也可載入複雜的高解析相片畫面。利用獨創的降階演算法，快速完成紗線化的面規劃，更可預先模擬簇絨路徑，評估期待完成之效果，利於製程上的安排。紗線顏色數目的增加可提升與原圖的逼真擬合程度，適合少量多樣生產。為達到自動化並符合量產規模，運用TRIZ創新過程反覆探討凸輪連桿機構模組，分析與計算連桿運動以完成複雜的剪線動作，以在非常高速的條件下，可穩定完成機構之預期動作。目前傳統大型量產地毯機在產業中，每15分鐘可前進1公尺的簇絨長度，若以一公尺的單位寬度與本研

究的CNC簇絨機作比較，傳統簇絨機要配置200個針位，15分鐘可完成一平方公尺的簇絨面積。CNC簇絨機利用1個針位要完成相同的面積則須34分鐘，平均每秒要完成20個簇絨週期，工作運動非常快速，簇絨品質不能降低，也適合多量多樣生產。最後實際製作簇絨地毯結果顯示，在製程上完全可客製化，在品質上可順利達標，在產能上符合效益。軟體在客製化能力上不拘圖案類型皆可處理，硬體在自動化製程上縮短大量整備時間，符合預期研究目標。